Astrophotography Tips: 5 Ways to Improve Your Images
The type of Astrophotography tips I will be discussing on this page are geared towards deep-sky imaging, my primary interest. This means using a DSLR and telescope to capture objects in space such as nebulae, galaxies and star clusters.
I am not an expert in this field, and I use budget astrophotography equipment to get the job done. However, these are some of the lessons I’ve learned the hard way through countless imaging sessions in the backyard.
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Astrophotography Tips for Deep-Sky Imaging
The following 5 astrophotography tips will help you produce better DSLR deep-sky images of the night sky. Many visitors of this website are beginners, and these guidelines may just move you another step towards your goals. These techniques will help you take better images, and make the most of your nights under a clear sky.
By keeping these guidelines in mind, your images will improve as time goes on. It will take time to hone your craft and develop a level of quality you are happy with.
With so much advice and opinions about the best way to photograph the Milky Way, and the deep-sky objects found within it, I thought it would be best for me to highlight 5 basic ways anyone can improve their DSLR astrophotography.
Some of these tips may seem obvious to you, but please remember that there are others who are new to astrophotography that could benefit from these basic principles. Those who photograph deep-sky objects using a DSLR on a tracking German equatorial mount will benefit most from these astrophotography tips.
Beginners can learn a wealth of knowledge by paying attention to the equipment and techniques of others. A great resource for admiring others equipment and processing techniques is AstroBin. You’ll find me there under the username: Astro_Backyard.
Astrophotography Tips: 5 Ways to Improve Your Deep-Sky Images
You really want to get this one right. Accurate polar alignment of your telescope mount can be the difference between a decent image, and a great one. Whether you’re using an AstroTrac, iOptron Skytracker style mount, or a good ‘ol German Equatorial mount like myself; aligning your rig to the North Star is essential.
Most astrophotography mounts have a built-in polar scope to aid us in aligning Polaris (In the Northern Hemisphere) to the correct position for a night of imaging. It is an important first step when setting up your equipment, so make sure you take the time to get it right! Polaris is very close to the North Celestial Pole, but not quite.
This is what makes the difference between round stars, and footballs. Even if you use an autoguiding system, accurate Polar alignment is essential for a sharp image.
Many astrophotographers have recommended using the QHY PoleMaster for spot-on Polar Alignment. It’s an electric polar scope with a built-in camera, designed for high precision polar alignment. It has several adapters available to cater to your specific telescope mount. You can read up on the product on their website. I do not own one of these, but it is worth looking into if you are not satisfied with your current polar alignment experiences.
Polar Alignment Mobile App
I use an app for my Android mobile phone called Polar Finder (iPhone users can use ScopeTool) to help me locate the position Polaris should be in for my location on Earth. I then visually confirm the position in my Sky Watcher HEQ5’s included polar alignment scope, and make any adjustments needed to the mount. This step should not be overlooked, as it is critically important if you wish to capture sharp astrophotos.
This is another easy step you can make at the beginning of your imaging session, and give yourself the best chance of success. This process usually takes less than 5 minutes, yet has been skipped by many amateur astrophotographers time and time again. The reason this step is so important is that you want your mount to run as smoothly and effortlessly as possible. The less your mount has to work, the sharper your images will be.
Start by carefully loosening the clutch on one axis of your mount, and move the telescope side to side to discover if the telescope or counterweight is out of balance. Slide the counterweight up or down the shaft to find the best balance between the two. Make sure to re-tighten the clutch on this axis when you have achieved the best balance possible. Then, repeat the process for the movement on the other axis, making sure that your telescope can move effortlessly from side to side.
If you have never properly balanced your telescope on your mount before, you should notice a HUGE difference in your autoguiding accuracy.
It has been brought to my attention that the order of this process can make a difference, as seen in this article on the matter by Starizona. I personally have had great success by balancing both axis’ of the mount in any order. I should note, make sure that you balance the telescope with your entire imaging train attached, with the focuser tube at the same distance you will be imaging at! After all, this is the state in which your rig will need to be in top shape for!
3. Shoot a Minimum of 2-3 Hours worth of Exposures
I think we have all been guilty of this fault! First off, I will say that I have broken this rule many times, and posted and shared images with 1 hours worth of exposure time, or even less. The problem with this is that you are selling yourself, and the deep-sky object short. Much more detail and color can be brought out of the image during post-processing if you invest the time it takes to capture more light frames.
I understand that it is very hard work to capture and stack over 2 hours worth of exposures on a specific nebula or galaxy, especially over several nights. Heck, this past winter I was only able to collect less than 1 hours worth of data on the Horsehead Nebula! This made the image processing task much more challenging. Do yourself a favor and put the hard work in out in the field, so that you can enjoy processing your well-exposed object with a strong signal to noise ratio.
My best astrophotography images have one thing in common – they have over 3 hours of total integrated exposure time.
There really is no excuse for not using dark, flat and bias frames when stacking and registering your light frames. DeepSkyStacker heavily promotes the use of all 3 of these support files to produce your final TIF file that you will then make your final edits to.
Dark frames are a must for DSLR astrophotographers, as these cameras produce thermal noise that can drastically affect the quality of your final image. Remember, these frames are created by shooting the same exposure lengths with the same ambient temperature as your light frames – with the lens cap on. You can remove the DSLR from your telescope to shoot these or attach your cap the end of the telescope. I usually choose the latter. Remember to block out any stray light that may enter the camera’s sensor, even through the viewfinder. I recommend taking at least 15-20 dark frames for each session.
These can be a bit tricky, and there a number of opinions about how to take flat frames with a DSLR camera. Flats are used to help correct vignetting and an uneven field in your image. To create a flat frame, you will need to set your camera to Av mode (Auto exposure) and keep your DSLR camera attached to your telescope, with the same focus you were imaging your light frames with.
I have found that covering the front objective of your telescope with a plain white t-shirt, and pointing the scope towards the morning blue sky works well. Make sure to smooth out all of the folds, and that you are not aiming at the sun or any clouds in the sky. If you can’t leave your equipment out all night into the morning, you can shine an even, flat, bright source of light into the t-shirt. 15-20 flat frames should do the trick. While in Av mode, keep the same ISO setting as your light frames.
Shooting Bias frames is very quick, and very easy. With the lens cap attached to your camera, turn the mode on the DSLR to Manual, and set the exposure length the Bulb Mode. Then, adjust the exposure length to the fastest shutter speed your camera has. For my Canon Xsi, that’s 1/4000 of a second. Shoot 15-20 of these frames, and you’ll have them when asked by DSS during the stacking stage.
Many of us, including myself, are guilty of this. You get excited because you can actually see some of that beautiful nebulosity and color in your deep-sky photo, and you rush your image into Adobe Photoshop. Then, you make that ever-so-powerful curves adjustment that brings the bright pinks, purples and dark dust the surface. This really is a satisfying feeling, all that work out in the field collecting data, and now you are revealing the wondrous image you have worked so hard to obtain.
So what’s the problem? Well, let us have a look at the stars in the image, did you blow them out completely by pulling that dim nebulosity forward? How about that background space? Is it a nice smooth dark gray, or does it have a blotchy red/green color mixture going on? My point is, that once you have enough exposure time, and you have effectively utilized your support files, you will be able to gently pull out the details from your astrophotography image in Photoshop. The signal to noise ratio will be so great that you can make modest curve and levels adjustments without destroying other important features of your photograph.
An image with a high signal to noise ratio is a pleasure to process. Do yourself a favor and put the time in outside, and make your image-processing session an enjoyable experience.
Watch the Video!
In conclusion, I hope that you will incorporate some of these astrophotography tips into your future backyard adventures. I had to learn many of these lessons the hard way after years of experience. If you liked this article, chances are you will enjoy the videos I release on my YouTube Channel. Thank you for stopping by, and I wish you all the best in your adventures under the night sky. For my latest astrophotography tips and guides, please follow me on Facebook and Twitter.