The Impressive Optolong L-eNhance Filter
In this post, I’ll share my results using the Optolong L-eNhance filter for deep sky astrophotography in the city. The L-eNhance is a dual band pass filter that ignores artificial light, yet collects a strong signal emitted by certain nebulae.
This light pollution filter was designed for color cameras, whether it’s a DSLR (a modified camera is best) or a one-shot-color dedicated astronomy camera like the one used (ASI294MC Pro) for the images in this post.
As many of you know, I mostly shoot from the city. I love to travel to dark sky locations, but imaging from home is a lot more practical, and I can do it more often.
The Omega Nebula | ZWO ASI294 MC Pro + Optolong L-eNhance
The problem is, the city I live in is home to over 100 thousand people, and that makes it very bright. Excessive light pollution is a reality for many of us, and I’m not sure we fully understand the long term negative effects of it yet.
Here’s a look at the light pollution I shoot through in my backyard. As you can see in this animated gif, it looks as though the light pollution increased significantly between 2018 and 2019.
Light pollution data from LightPollutionMap.info. 2018-2019.
For backyard astrophotographers like me, light pollution creates some serious challenges, from horrible gradient patterns, to a pathetic signal-to-noise ratio.
It seems like we have to work twice as hard as those under dark skies do to capture a beautiful image.
Fortunately though, light pollution filters exist – and the companies that make them are getting better and better at isolating the “good” light from the bad. The argument as to whether a light pollution filter for broadband targets (such as galaxies) can actually help you collect better data continues in the forums, but I have found them to make my life a lot easier.
However, nobody can argue the fact that a narrowband filter (often called “line filter”) can be exceptionally useful from the city. The filter I am discussing in this post is a dual-band pass filter, that collects light in two prominent emission lines, H-alpha, and Oxygen III.
The transmission graph of the Optolong L-eNhance dual-band pass filter.
Looking at the transmission lines of the band passes above, you may notice that this filter is only allowing a very selective amount of light to pass through to the camera. The good news is, some of the most incredible deep sky nebulae in the night sky emit the majority of their signal in these two wavelengths.
Which ones? The Eagle Nebula, Omega Nebula, and North America Nebula, to name a few. Emission nebulae are some of the most widely-photographed deep sky targets by amateur astrophotographers, and from a filter perspective, they are much more obtainable from the city than a broadband galaxy.
Optolong L-eNhance Filter
The Optolong L-eNhance filter was designed for color cameras, such as a a DSLR camera or one-shot-color astronomy camera. The camera used for all of the example images in this post is a ZWO ASI294MC Pro, a 10.7 MP 4/3″ sensor camera with cooling.
If you take a good look at the transmission graph, you’ll notice that the first band pass line includes both the OIII, and H-beta wavelengths. Essentially, this means that the filter should collect an even more “natural” looking image than one that isolates Ha and OIII exclusively.
The H-beta (486.1nm) emission line is nowhere near as impactful as the hydrogen-alpha line (656nm) when photographing an emission nebula target, but I like the idea of including this subtle wavelength for a more well-rounded image.
- H-beta: 486.1nm
- OIII: 501nm
- H-alpha: 656nm
As you’ll see in the images shared in the post, this transmission combination leads to some surprising “natural” looking images when used with a color camera.
In the video below, you’ll see me use the Optolong L-eNhance filter for deep sky astrophotography in the backyard. Notice the bright white LED streetlamps that line my street. These artificial lights are largely ignored by the L-eNhance filter, as they do not emit light in the spectrum that passes through the filter.
In the video, I’ve threaded the Optolong L-eNhance filter (48mm version) to the field corrector of my Sky-Watcher Esprit 100 refractor telescope. The filter sits between the sensor inside my ASI294MC Pro color camera, and this apochromatic refractor telescope.
Threading the filter directly to the field corrector involves carefully removing the internal ring that seals the filter glass into the housing. The reason for this, is to access the threads on both sides of the filter. I do not recommend this method, as the filter glass becomes loose, and you could easily drop or damage the filter.
Instead, I would look into a filter drawer system that is compatible with your telescope. This allows you to easily swap filters in and out of the imaging train, and maintain the accurate spacing between your camera sensor and the corrector/field flattener.
The Optolong L-eNhance filter (48mm).
Some telescopes, such as the William Optics Zenithstar 73, or RedCat 51 include a threaded slot for a 2″ filter inside of the field flattener and/or adapter. This is a very convenient location for a 48mm filter, as it is completely sealed from the elements.
Optolong L-eNhance Filter Specifications
Here are the technical specifications of this filter, coming straight from the company. I have to admit, I don’t know what most of these terms mean, but in the spirit of creating the most useful resource possible, I’ve included them for those that do.
- Blocking Range: 300nm – 1000nm
- Blocking Depth: >99% light pollution line
- TPeak: T>90%
- Substrate: B270
- Thickness: 1.85mm
- Surface Quality: 60/40
- Transmitted Wavefront RMS: λ /4
- Parallelism (arcsec): 30s
If you don’t know what the transmitted wavefront RMS reading means in terms of the pictures you can expect to capture with your color camera, keep reading…
Imaging Results from the City
The first object I chose to photograph was the Butterfly Nebula, which is also found within the Sadr region in Cygnus. The reason I chose this target for my my testing, was because this area is absolutely loaded with emission nebulae. If you have a filter that specializes in isolating H II regions, this is an area of the night sky you need to photograph.
Having used a dual band pass filter in the past (STC Optical Du0-Narrowband) from my backyard, I had a feeling that the L-eNhance would meet my expectations. I primarily shoot using a color camera, to maximize the chances of completing an image in a single night. If you are like me, a dual band pass filter may be the answer you are looking for.
In the past, I have used a number of Optolong branded filters, including narrowband “line” filters for Ha, OIII, and SII. The Optolong L-Pro is one of my favorite brpad-spectrum filters, so my experiences with this company have been stellar thus far. (They even sent me an Optolong Flag for my garage as a thank you for my video content!)
Results using a 100mm Refractor Telescope
The first image was captured using a high-end refractor telescope (ED triplet apochromat), with a focal length of 550mm. The image scale of this system is 1.7, which creates a pleasing resolution for wide-field nebulae targets like the one below. To find out the image scale of your camera and telescope, you can check out this online calculator.
With a dual-band pass filter like the L-eNhance, moonlight, and the glow of my city do not interrupt a memorable imaging session in Cygnus. Below, is the image I captured using the L-eNhance filter with my ZWO ASI294MC Pro (one-shot-color) camera. The final image includes 69 x 4-minute exposures for a total integration of 4 hours and 36 minutes.
The Butterfly Nebula in Cygnus. 69 x 4-minutes.
If you would like to see all of the equipment used for this shot, I have broken everything down piece-by-piece on this page.
Below, you’ll see a breakdown of what the data looks like in each color channel, after the image has been processed and balanced as the version above. Although these images are non-linear, it should give you a better idea of how much data was collected in each color after neutralizing the background.
The “stretched” image (the one shown above) shows exaggerated levels of data, but it does indicate the general level of sensitivity to color in each channel.
After an extremely successful night using the L-eNhance filter on my 100mm refractor, I thought it would be interesting to see what would happen when I use it on the Celestron 8″ RASA.
Results using the Celestron 8″ RASA
To use this filter with a Rowe-Ackermann Schmidt Astrograph system, it must be placed in front of the camera sensor that sits on the corrector plate of the front of the telescope. To achieve the correct spacing between my camera sensor and the optical window of the RASA, I use this Starizona filter drawer.
I also installed a new Pegasus Astro FocusCube 2 motorized focuser to the RASA, for imporved accuracy when focusing this demanding F/2 optical system. The one I have was designed specifically for Celestron SCT telescopes and the RASA (This is the model I use).
The Celestron RASA 8 F/2 with ASI294MC Pro color camera attached to the corrector plate.
As fast as the F/2 f-ratio of the RASA is, it also means that achieving critical focus manually is very difficult. I believe that relying on camera control software to measure the accuracy of your focus precision is a must.
Which software? Many amateur astrophotographers have had success using Sequence Generator Pro, and I personally use Astro Photography Tool. The FWHM or HFD readings of a star are needed when attempting to find (and maintain) critical focus (More on this in a later post).
Here is a better look at the FocusCube 2 installed on the RASA. The process involves removing the standard focus knob on the telescope, and attaching a bracket to the base. I’ll share a new video and review of this focuser for the Celestron RASA soon.
Pegasus Astro FocusCube 2 (motorized focuser) for the Celestron RASA.
To highlight the qualities of this filter on a telescope like the RASA, I decided to hop over to the Omega Nebula in Sagittarius. From my latitude in Canada, I have a very short window of opportunity to photograph this target. It does not reach a high apparent altitude in the sky, which makes it a demanding target for amateur astrophotographers in the Northern US or Canada.
As you’ll see in the image below, the images straight out of the camera will appear green using CMOS camera like the ASI294MC Pro.
A raw un-stretched image (stack) using the Optolong L-eNhance filter with a color astronomy camera (ASI294MC Pro)
To create the final image, each sub-exposure was 3.5-minutes in length, with the camera set to Unity Gain. For this image, I also used autoguiding with the RASA as well (for the first time). I attached a small 50mm guide scope (Starfield 50mm guide scope) and bracket to the base of the 8″ tube.
The biggest advantage of having an autoguding system in place with the RASA (in my opinion), is the ability to dither between frames. In previous imaging sessions with the RASA, I had no trouble capturing unguided images with round stars on the Celestron CGX-L. However, walking noise was prevalent due to a lack of the simple (yet powerful) act of dithering.
The Omega Nebula. Color CMOS camera with Optolong L-eNhance filter.
When it was all said and done, I ended up with 29 x 210 second exposures on the Omega Nebula through the 8″ RASA. As you can see in the processed image stack above, achieving a “near-natural” looking color balance with this dual band pass filter is possible. I can’t help but think that the additional light collected in H-beta makes a subtle, yet important difference on targets like M17.
L-eNhance vs. STC Optical Duo-Narrowband
Many readers have asked how the Optolong L-eNhance filter compares to the STC Optical Duo-Narrowband filter. In my tests, it produces VERY similar results when used an emission nebula. If you look at the transmission graphs between the two, you’ll see why.
The L-eNhance lets in a subtle amount of light in the H-beta line, which I am yet to illustrate how much of a difference this makes. The transmission peak in the OIII spectrum also appears to be wider, which may help produce a more natural looking image (at the expense of less isolated data).
The bottom line is, these filters act very similar, and I don’t own equipment sophisticated enough to truly show the difference between the transmission qualities of this glass. In reality, I think most folks just want a filter that compliments their color camera when shooting in the city, or under moonlight. If that is what brought you here, I think you’ll be extremely impressed with the Optolong L-eNhance!
Narrowband filters, especially ones that collect light in two band passes at once offer an incredible way for backyard astrophotographers to collect impactful images with a color camera. Whether you shoot with a DSLR or dedicated astronomy camera, a capable light pollution filter can be the difference between setting up twice a week, and twice a season.
There is no substitute for dark skies, but there is hope your light polluted backyard. The Optolong L-eNhance filter took months to develop, and as you can see first hand from my images, the results are impressive.
I you have used the Optolong L-eNhance filter with your color astrophotography camera, please let me know what you thought in the comments. Feel free to include a link to your personal website or AstroBin profile to share an image captured with it. Seeing others work is a great way to validate the performance of this filter.
The Optolong L-eNhance Filter is Available online from High Point Scientific.
The Wizard Nebula (photographed during a 94% illuminated moon!)